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The advent of digital cinematography and multiplexes around 2010 catalyzed a seismic shift. The ‘New Generation’ cinema, led by directors like Aashiq Abu ( Daddy Cool , Mayanadhi ), Anjali Menon ( Bangalore Days ), and Alphonse Puthren ( Premam ), rejected the established norms of melodrama, song placement, and moral closure.

Malayalam cinema began with J. C. Daniel’s silent feature Vigathakumaran (1928), which notably focused on social drama rather than the mythological themes prevalent in other Indian industries at the time. The advent of digital cinematography and multiplexes around

Malayalam language and literature have a significant impact on Malayalam cinema: Anjali Menon ( Bangalore Days )