Years earlier, his uncle—an old-school DJ who’d taught him to match tempos and respect a break—had given him a battered case. Inside sat records with names that smelled like Sunday: organ-heavy gospel, late-night R&B, jazz that had learned to speak plainly. “You play for people’s insides,” Uncle Ronnie had said, tapping the case. “You don’t just mix songs. You stitch seams.”
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If you want, I can expand this into a longer essay (1,200–1,500 words), add track-level analysis, or provide citations and release details. Years earlier, his uncle—an old-school DJ who’d taught