David Cronenberg was the perfect vessel for J.G. Ballard’s transgressive material. Both men share a fascination with the intersection of the organic and the synthetic. In Ballard’s world, the automobile is not just a mode of transport; it is an extension of the human body, a shell that redefines our relationship with death and desire.
By exploring the archives, we see that the backlash to Crash was actually a backlash to the mirror Cronenberg held up to society. We are a species that cannot look away from the wreckage, and thanks to the digital preservation of the ecosystem, we don't have to. crash 1996 archiveorg
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