The user describes the movie as "awesome" and "best." This sentiment is shared by a specific niche of cult film fans for several reasons:
The narrative structure of Amor Estranho Amor is deceptively simple but emotionally resonant. The story is told through the eyes of Hugo (played by Marcelo Ribeiro), a middle-aged man who returns to his family’s estate to settle affairs. As he wanders through the empty rooms, he is flooded with memories of 1937, when he was just a 12-year-old boy. The user describes the movie as "awesome" and "best
Halfway through, Dona Laura watches from a hidden alcove, a cold smile on her lips. She is not a voyeur of lust, but of power. She has claimed the boy—not as a lover, but as a possession. Halfway through, Dona Laura watches from a hidden
Hugo arrives naive and innocent, but the house is a labyrinth of silk sheets, drunken politicians, and lonely, sophisticated courtesans. He catches the eye of two women: the beautiful, maternal Anna (Vera Fischer) and the dangerously sensual Tamara (Xuxa Meneghel, in her first major film role before becoming Brazil’s “Queen of Children”). What unfolds is a strange, dreamlike exploration of sexual awakening, manipulation, and the loss of innocence. Hugo arrives naive and innocent, but the house
At the center of the story is Anna (Vera Fischer), the house’s most glamorous and damaged escort, who initiates a seductive, psychologically complex relationship with the child. The film is less a linear narrative and more a slow, humid descent into the loss of innocence, power dynamics, and the blurred line between affection and predation.
: Khouri excels at creating a dreamlike, almost claustrophobic environment that mirrors the protagonist's internal confusion.
While the original Portuguese version captures the intended atmosphere, the —often titled Love Strange Love —is a fascinating way to experience this rare gem. Видео Love Strange Love (1982) | OK.RU