Missax.21.09.13.charlotte.stokely.helena.locke.... //top\\ Here

Also, I noticed that the filename you provided seems to contain a date (21.09.13) and names (Charlotte Stokely, Helena Locke). Could you please clarify how these names and the date relate to the paper you're trying to create? Are they authors, sources, or something else?

The performance is recorded and later filed under the concise label "MissaX.21.09.13.Charlotte.Stokely.Helena.Locke...." The filename performs work: it compresses the event, preserves its date, and names those it honors; the ellipsis keeps the file open to future names, future griefs, future acts of remembering. MissaX.21.09.13.Charlotte.Stokely.Helena.Locke....

Helena Locke: The double name suggests specificity—Helena, classical and tragic (Helena of Troy), paired with "Locke," a surname rich with philosophical echo (John Locke) and with literal suggestion (lock, secrecy, or imprisonment). Helena Locke could be an archivist, a descendant, a composer, or a caretaker of memory—someone who holds and protects the stories invoked by the Mass. Also, I noticed that the filename you provided

The performative MissaX would likely mix traditional liturgical elements (introit, kyrie, gradual, credo, agnus dei) with contemporary sonic strategies: field recordings, spoken testimony, electronic manipulation, and silence. Such a hybrid performance would stage memory as a communal act: a chorus joining to remember Charlotte’s life, Stokely’s political legacy, and Helena Locke’s caretaking, with the "X" allowing spaces of interruption, improvisation, or refusal. The performance is recorded and later filed under